Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Thursday, November 2, 2017

Murder in Little Shendon by A.H. Richardson -- Review + Excerpt!


Murder in Little Shendon
by A.H. Richardson

2017. Paperback. 256 pages.

Review:

If you're looking for the perfect murder mystery to cozy up with this fall or winter season, then Murder in Little Shendon is exactly what you need. This story begins in the town of Shendon, a small community in which everyone knows everyone. When one citizen is murdered, everyone is suddenly a suspect and it is up to the police detective and two amateur detectives to determine just what happened in this quaint little town. 

This is one of those classic whodunit novels in which all citizens are interviewed and each seems to have some sort of plausible reason that they could be the suspect. I had a really enjoyable time reading this book and trying to unfold the identity of the murderer along with all of the characters. I was truly drawn into the story and events and became invested in many of the characters.

Speaking of characters--there are a lot! This because a bit overwhelming at moments, but I was impressed with how much detail and personality Richardson gave each character. They really are each a unique person with their own desires, motives, and expressions, and this really benefited the novel and gave it a much more exciting atmosphere. 

The chapters are all fairly, short, which makes this book perfect for lighter reading or fitting in when you have the time (trust me, I understand how busy this time of the year gets!). The writing style was also written in a somewhat simplistic manner in that perfect 'whodunit' style that easily lets the reader continue to be engaged. 

Overall, I've given Murder in Little Shendon four stars and would certainly recommend this series to any murder mystery fans!


Excerpt:

Chapter One
A Killing in The Bygone Era

BARTHOLOMEW FYNCHE LEANED OVER HIS DESK, adjusted his pince-nez and peered down at the document on his desk. He gave a series of grunts, which culminated in a long “Hmmm”.

He scratched a brief note on the pad in front of him. He always used a pen and ink because he did not approve of ballpoint pens and regarded them as signs of an uncivilized society.

Mr. Fynche turned his attention to the small jade horse in front of him, running his fingers over it gently, almost lovingly. He frowned, took a deep breath, and removed a key from around his neck. He unlocked a drawer to his desk, placed the small statue inside and carefully locked it again.

He glanced at the French Ormolu clock on the wall before consulting his watch, and pursed his lips together in annoyance. He didn’t like people who were not punctual. Time was money, and his time was particularly precious.

The retired Mr. B. Fynche had been involved in a number of most interesting exploits in his life, not the least of which involved his extraordinary knowledge of rare documents, famous objets d’art, and rare paintings. It was rumored that he had been involved with MI5 just after the war, but no one was quite certain about this. Nowadays he puttered fairly contentedly in his antique shop, which he had named The Bygone Era.

He did the occasional appraisal for some local villagers and was occasionally persuaded to go into London (a trip he detested) to authenticate something or other for the odd client he had. He was, as far as anyone knew, unmarried, quite without family, with the exception of a sister who was rumored to live in New Zealand and a brother who was deceased.

At first glance, Fynche’s little shop seemed to be an untidy mass of bric-a-brac, consisting of small statues, framed documents, interesting looking things in glass cases, paintings of all descriptions, prints, watches, chains and… much much more. Mr. Fynche however, knew exactly where everything was, referring to it on occasion as organized clutter.

Today was Thursday, better known as early closing day when most if not all the shops in the village closed about noon, and The Bygone Era was no exception. Fynche liked to lock the doors, put up the CLOSED sign and busy himself with his latest project, and he had many of those.

The little man glanced down once again at some notes he had made. For the first time in his life, he was not quite sure how to deal with this. Probably the best policy was to be frank and explain that this was not something with which he chose to be involved. He scratched the back of his head thoughtfully. Perhaps no mention of the police should be made at this juncture, for he felt instinctively that he would have to be careful here.

A knock on the door interrupted his reverie and Fynche’s eyes again darted up to the clock. He frowned, realizing that the knock was coming from the back door, which was rarely used. Thoroughly disgruntled, the old man unlatched the door.

“Come in,” he said curtly, “and see that you close the door behind you.” He paused, then growled in a surly manner, “You’re late; we need to talk.”

“I’m sorry. There was some work left to do,” answered the other. A breeze blew through the open window behind Fynche’s desk.

“Close the window, please. That wretched cleaning woman always leaves the window open, and it blows my papers all around.”

“Very well.” His visitor closed the window obediently.

“Come around to the front, where I can see you. Something quite interesting has come up and we need to talk. Clearly, decisions have to be made here. Did you hear me…?”

Fynche made a half-turn, threw up his hands defensively, and gave a smothered cry, but it was too late. The broad brass base of an Edwardian candle holder was wielded aloft and came crashing down with a sickening thud into Mr. Fynche’s skull. Blood flew everywhere, seeping into the dark wood of the desk and into some papers and puddling on to the floor.

Mr. Bartholomew Fynche, open-mouthed and eyes glazed, his hands futilely clutching at the air, slumped over the side of his chair and onto the floor… very very dead.

The visitor spent a moment or two looking around the cluttered shop, hunting for something, but then thought better of it. With a sudden gesture, the visitor pried a large gold ring from Mr. Fynche’s finger, hastily made the decision to leave and, used The Bygone Era’s back door as the avenue of escape. The door was closed quietly, and the visitor slipped out noiselessly into the anonymity of the bustling throng of last-minute shoppers in the High Street. It was a bright sunny day in late spring.

About the Author:
A.H. Richardson was born in London England and is the daughter of famous pianist and composer Clive Richardson. She studied drama and acting at the London Academy of Music and Dramatic Art. She was an actress, a musician, a painter and sculptor, and now an Author.

In addition to the Hazlitt Brandon series, she is also the author of a series of children’s chapter books, the Jorie series, which includes Jorie and the Magic Stones, Jorie and the Gold Key, and Jorie and the River of Fire.

A.H. Richardson lives happily in East Tennessee, her adopted state, and has three sons, three grandchildren, and two pugs. She speaks four languages and loves to do voiceovers. She plans on writing many more books and hopes to delight her readers further with her British twist, which all her books have.

Readers can connect with her on Facebook, Twitter, and Goodreads.

To learn more, go to https://ahrichardson.com/


What do you think of this new murder mystery? Let me know!


Monday, October 31, 2016

The Solitary House by Lynn Shepherd

The Solitary House by Lynn Shepherd. Bantam, 2013. Ebook. 368 pages.

I chose to read The Solitary House because I was looking for a compelling mystery book that would fit in with both the Halloween and fall season, as well as the impending winter season (I like to prepare, okay?). Fortunately, The Solitary House delivered on all of these fronts and provided an intriguing, dark, and in-depth story to delve into. Shepherd takes inspiration from both Charles Dickens' Bleak House and Wilkie Collins' Woman in White, which truly shines in her work.

Now, as much as this is an interesting mystery to follow, it's not exactly a lighthearted read. Indeed, there are some heavy topics and events discussed, ranging from gruesome murders to crude characters to discussion of young girls working as prostitutes. Despite these unsavory elements, this book is still written in such a way that it just captures your imagination and makes it difficult to lose interest.

This story takes place in London in 1850 with Charles Maddox, former police offer turned solo investigator, is offered a new case that appears to be fairly simple, but ends up becoming much more than Charles bargained for. Charles is an independent young man who appears to have very little fear for the more dangerous parts of London. For this reason, he's an interesting character to follow, and I enjoyed that as the story went on, we began to learn more and more about his own past and family, as well as discover his own fears. We watch him go from feeling as if he is on top of his case, to realizing that he is in way over his head and that there are real, imminent dangers present.

What I found most engaging about The Solitary House was the predominant narrator, who is an entirely unknown figure to us, the readers. The story also alternated briefly with a character named Hester, but these bits seemed quite brief in retrospect and were not my favorite points of the book. Our main narrator is long-winded and detail-oriented. What comes across as rambling on about various subject is in fact interesting and often relevant information to the story itself. What surprised me about this was that I never became irritated by this extended use of descriptions and languages, which is a testament to the writing and wit of the narrator, without whom I likely would have stopped reading this book. It is extremely Victorian novel style in this manner, and I enjoyed seeing the influence of Dickens and Collins in this writing. What I also found intriguing was that this third party narrator seemed to be telling the story from a modern perspective, which is only briefly noticed, but brought an extremely interesting element to it. I can confidently say that without these elements from the narrator, this story would have seemed exceptionally dry.

Despite the fact that I enjoyed the long, extended details and perceived rambling, if this style is something that you have a hard time enjoying, then this might not be the book for you; however, I do still encourage you to give it a read!

Overall, this is a well thought out and carefully crafted novel, dealing with both the filth and surface level violence of day-to-day life in nineteenth century London, as well as the deeper, psychological issues that plague life and the investigative work of Charles. For these reasons, I am giving The Solitary House four stars!



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Thursday, August 6, 2015

Bradstreet Gate by Robin Kirman



Bradstreet Gate by Robin Kirman. Crown; July 2015. 20 Pages. Ebook.

**I received a copy of this book courtesy of NetGalley in exchange for an honest review**

What I hoped would be a delicious, mysterious novel centered around the murder of a college student turned out to be a rather ho-hum story more focused on the minute details of the supporting cast's lives that, let's be honest, weren't all that interesting.

This story centers around the lives of three college students and a professor, both during and after another fellow classmate is murdered. Through various narratives, we learn about the lives, secrets, obsessions, and general complexities that have led to the transpiring of many events.

Despite the fact that the murder is the main plot for this novel, it's really not all that interesting. The student who is murdered? She's not event that important. Most of us probably couldn't care less about her or her death. I can understand that it was more of a plot device to get the ball rolling and explain the hidden and taboo issues that surround the student's murder, but for a novel that boasts itself as a college murder mystery, it doesn't quite live up to that.

Our four main characters are: quiet, somewhat shy Charlie who comes from a working-class family, but wishes to rub elbows with the rich Harvard elite; Georgia, the enigmatic blonde that everyone wants, but basically no one gets, and who has a complicated history with her father; Alice, a pissed-off-at-the-world young woman who despises her family, which leaves her full of rage and motivation; and we have Storrow, the mysterious, somewhat awkward professor that rolls into bed with one of his students, accidentally offends his students, and is accused of murder.

I had an extremely difficult time caring about any of the character. I'm not necessarily one of those people that has to like the characters in order to enjoy a novel, but I simply didn't care about them. There were no great, defining qualities that drew you to them and made you want to follow their life and participate in their difficulties. I hated Storrow; he was an incredibly pathetic, disgusting man who I simply couldn't bring myself to like or pity in the slightest manner, despite Charlie's early attempts to make him appear pitiable. Sorry, Charlie, not going to happen.

The way in which these characters stayed "connected" after college is incredibly weird as well. I just can't possibly believe that these people who really didn't have that strong of a connection even while attending college would possibly rely on one another outside of college. In fact, beside the facade of each character and their interactions, they almost (sort of) hated one another. There was always tension, always some issue, and I can't recall any interactions that were, well, happy. The best way to describe their interaction would be as extremely unhealthy, magnetized attractions to one another.

Kirman also seemed to keep hinting at a huge, incredibly wide array of interesting subplots and secrets, but she never dug deeper and explored those ideas, which would have added so much to this otherwise disappointing novel. I both liked and disliked the way in which Kirman jumped back and forth between characters and time periods. It was incredibly confusing, but that style sort of fit with this book. The timeline and jumping around sort of matched the jilted and troubled lives of the characters; nothing was linear, nothing made sense, and nothing was ever perfect/right/etc.

Oh, and to anyone who compares it to The Secret History by Donna Tartt: stop. The only comparison is that it's a college campus and there was a murder. Comparison stops there; nothing else is the same.

Despite the many things I apparently really disliked about this novel, I kept reading it. Something, somehow, dragged me on. I feel a large part of that reason was Kirman's writing style; she truly does have a haunting, melodic tone to her narrative which does add to the air of intrigue and ability to keep readers turning those pages (or tapping their Kindles, in my case). There are moments throughout this story where Kirman's voice shines through, and that is what made this somewhat dry and unlikable a bit more enjoyable and intriguing. Because of this, Bradstreet Gate will be receiving three stars from me.



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Tuesday, August 4, 2015

Corridor One by Rafael Derchansky


Corridor One by Rafael Derchanky. Self-published. June 2015. Ebook.

**I received a copy of this book from the author, Rafael Derchansky, in exchange for an honest review**


Rafael Derchansky reached out to me a few weeks ago and inquired about receiving a review for his novel. I read some summaries about the book and happily agreed. In short: I'm extremely glad I did.

Corridor One has a very complicated plotline, so I'll do my best to summarize: Dina is a sharp, hardworking woman who one day receives a random package at her apartment. This package marks the beginning of a long journey into her past. She endeavors to find out the identity of the man who left the package, as well as the fate of her long-lost brother and father, whom she has been separated from for a majority of her life. At the center of this intrigue is the question of missing treasure, which Dina and her fellow colleagues set out to recover. In order to find the answers to all of these questions, Dina must face her past and confront her emotions. 

There is so much detail in this plot. Derchansky has obviously taken great time and care in developing such an intricate and in-depth backstory, performing research on a wide variety of topics, and then relaying it all to us in an interesting and creative manner. Derchansky himself has a very interesting biography (found here) which I definitely can see as an influence in his writing.

One aspect of the novel that I really loved was hearing and learning about MirexGlobe and the sort of projects the company takes on. I was really fascinated by the world of authenticating art and various objects, and it really made me want to learn more about that particular line of work. I was also immensely intrigued by the Kerzhak Navigation exercises Dina so often practiced. The best way that I can attempt to describe Kerzhak Navigation is as a mental art that trains both the mind and body t focus on details, and it is through this exercise that one is able to train their minds to recognize and memorize maps and locations. This exercise eventually becomes an extremely useful and critical part of the story. I feel it is also important to add the organization of Corridor One creates an entirely new air of mystery and intrigue; who doesn't love reading about rather secret, unknown organizations? I'll leave it at that, as I don't want to give away too much.

The characters are also very well written. Dina is a strong, logical, and organized woman who wants things done right and will go to great lengths to make sure that they are done that way. Dina is not the type of woman to become emotional or let her true emotions show, but as we can see throughout the book, those are not always the easiest things to hide. Throughout Corridor One, we are given glimpses into the different sides of Dina, including both her strength and vulnerabilities, which allows us to see an honest, well-rounded person.

In ways her opposite, Tamara is quirky, animated, and extremely upbeat. She is the friendliest of the group, and brings her warmth and unique charm/sense of fun to each meeting and scene. We also have Gregory, who is much the opposite of this; he is rather quiet and keeps to himself. However, he is also prone to moodiness, preferring to spend his time working on his assignments in his laboratory, as he is extremely adept and intelligent. Lastly, we have Igor. Igor is also highly intelligent and extraordinarily loyal to Dina (though, to be honest, they are all extremely loyal). While all of these coworkers act as partners to one another, I personally see Igor as Dina's right-hand man who is always looking out for her and is also closest to her. This is a close-knit group of intelligent and strong colleagues who work in wonderful harmony with one another. They are matches made in business heaven. Each member plays to their own strength, and together they provide all of the necessary skills and tools needed for every successful business - as well as every successful mystery.

The pacing of this novel was fairly spot-on; it was never too fast, but also never too slow. It was on the slower side, but never dragging or slow. Derchansky did wonderful work in adding his immensely detailed and explanatory style. All of my questions were answered, and even more were created at the end of the novel, which the perfect setup for the second book in this trilogy, Corridor Two. The ending wrapped things up very nicely, while also creating an exciting new introduction to another book.

The only issue I seemed to find within the story was more structurally related, and that was with the dialogue. At times, the dialogue was a tad jilted and unnatural; it was very formal and somewhat stiff, which broke up some of the flow. Fortunately, it did not impede my enjoyment of Corridor One too much. In ways, this dialogue fit with some of the characters, as it only seemed to enhance how formal, educated, and lucid everyone spoke and acted.

Overall, I am giving Corridor One four stars. It was an extremely intriguing storyline, full of a wide array of interesting facts and mysterious questions. I would definitely recommend it to anyone who enjoys solving a mystery, going on adventures, or simply reading extremely in-depth and captivating storylines.


As a side note, if you enjoy any form of artwork, Derchansky actually has quite a few paintings up on his website that are simply beautiful, and I would encourage you to take a gander at a few of them. They can be found at rhdera.com

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